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5,559 نتائج ل "Animals Poetry."
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Eric Carle's animals, animals
An illustrated collection of poems by a variety of authors describing the peculiarities of pets and wild and domestic animals.
I Wish I Had a Heart Like Yours, Walt Whitman
In Return of the Heroes, Walt Whitman refers to the casualties of the American Civil War: the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . . In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree. Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments—among them Rwanda, Sarajevo, Nagasaki, and both world wars—she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt. Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems—a kind of personal bestiary—throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that Even from a distance, suffering / is suffering. Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.
National Geographic book of animal poetry : 200 poems with photographs that squeak, soar, and roar!
Combines photography with lyrical text celebrating the animal world, in a compilation that includes works by such poets as Emily Dickinson, Robert Frost and Rudyard Kipling.
Kingdom Animalia
The poems in this first full collection from New Zealand's Janis Freegard are categorized by Linnaean taxonomy: the six sections Mammalia, Aves, Amphibia, Pisces, Insecta, and Vermes are interspersed with a seven-part poem on the topic of Carolus Linneaus himself. Here Freegard catalogs the various fantastic and artistic, anthropomorphic and objective, rational and self- serving ways that humans draw on the animal world: as symbol and allegory, food and friend, ravening enemy, and sacred icon. From surreal prose poems to gorgeous lists—featuring a stuffed Maori dog, murderous magpies, and cake-shop cockroaches—Freegard's verse reflects the diversity of the animal kingdom and its light-hearted fancifulness belies a strong commitment to conservation.
The Bestiary, or Procession of Orpheus
Guillaume Apollinaire’s first book of poems has charmed readers with its brief celebrations of animals, birds, fish, insects, and the mythical poet Orpheus since it was first published in 1911. Though Apollinaire would go on to longer and more ambitious work, his Bestiary reveals key elements of his later poetry, among them surprising images, wit, formal mastery, and wry irony. X. J. Kennedy’s fresh translation follows Apollinaire in casting the poems into rhymed stanzas, suggesting music and sudden closures while remaining faithful to their sense. Kennedy provides the English alongside the original French, inviting readers to compare the two and appreciate the fidelity of the former to the latter. He includes a critical and historical essay that relates the Bestiary to its sources in medieval “creature books,” provides a brief biography and summation of the troubled circumstances surrounding the book’s initial publication, and places the poems in the context of Apollinaire’s work as a poet and as a champion of avant garde art. This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.
The carnival of the animals
America's first Children's Poet Laureate and the illustrator of the Harry Potter books team up in a volume of rollicking original verses set to Saint-Saëns' classical composition that is complemented by a CD recording of the music and Prelutsky's readings.
The resurrection of the animals
The Resurrection of the Animals explores the trinity of the natural world, the humans adrift in it, and the animals that accompany them. Although each of the five sections centers on a particular theme, motifs of change, loss, cycles, and transformation thread through the collection, weaving the parts into a unified whole. Individual sections focus on: the seasons of the year, and by extension, people’s lives; the power of memory and its limitations; the theory that what is magical often resides within; and, the mysteries of love. The Resurrection of the Animals culminates in the title section, revealing the lessons of kinship with animals and how epiphanies occur in the simplest actions— taking a walk with dogs or catching sight of a bird on the wing. These poems suggest that memory, association, and interaction with the tangible world can revive a part of the self that has slipped below the depths of consciousness.  
Wooden Lions
Wooden Lions is the ultimate animal-lovers’ book, with each poem in this amazing collection cradling the soul of a creature. Morton’s poetry winds through our connection with the animal spirit, breathlessly binding us forever in their wisdom; their endless lifting up of humankind. This is a celebration of all beasts, reminding us to cherish all those who nurture us. A percentage of these book sales will be donated to animal shelters and facilities across the country. The Lion. The Lioness  Come to me.  Come to me like the river’s roar,  like ravens at the morning’s door.     There’s no knock;  no bronzed lion to pound and wake,  just yawning dawns; the lush daybreaks     opening  like sunrise. I, your troubadour  will sing across your kitchen floor;     enough warmth  to stay the dark; to overtake  each fear, each tear the wicked make     slip your cheeks.  Let my arms be your sacred shore;  may loneness haunt you nevermore.     I, the flawed,  give you my sovereign heart to take—  each bounty, glory, each mistake     forgiven;  clasping hands through destiny’s door.  Let us be fearless. Let us roar.